Artists, authors, and media companies agree that the use of copyrighted works to train generative AI
models requires a license and remuneration to rights owners. But how would such a licensing regime be
implemented? If direct licensing is impractical at the scale required, how should any collective licensing
system be designed? How would it be managed? Are existing collective licensing systems up to the task?
This panel will examine how artists and rights owners in different media sectors thinking about the
challenge.
Panelists: Lori Fena, Co-Founder & Head of Business Development, Personal Digital Spaces Michael Grecco, Founder & Board Member, The American Society for Collective Rights Licensing, Inc. Lydia Gregory, CEO & Co-Founder, Figaro.ai
Moderator: Paul Sweeting, Director, RightsTech Project
Lori Fena Co-Founder & Head of Business Development, Personal Digital Spaces
Michael Grecco Founder & Board Member, The American Society for Collective Rights Licensing, Inc.
A conversation with Pamela Samuelson, the Richard M. Sherman Distinguished Professor of Law and Information at the University of California, Berkeley.
Creators and copyright owners have been buffeted by disruptive technology more than once in recent decades, but none has been quite as disorienting as generative AI. An AI’s ability to learn how to conjure images, text and music that closely resembles the work of human artists and authors in a matter of seconds has raised confounding questions as to whether and how the new technology can be reconciled with existing copyright law and with notions of authorship and creativity. A renowned copyright scholar and attorney, Professor Samuelson’s has been a prominent, and at times controversial, voice in the debate on AI, innovation and copyright. Keynote Speaker: Pamela Samuelson, Richard M. Sherman Distinguished Professor of Law, Berkeley Law
Interviewer: Sophie Goossens, Partner, Reed Smith LLP
Pamela Samuelson Richard M. Sherman Distinguished Professor of Law, Berkeley Law
While artists and rights owners await action by lawmakers and the courts on copyright rules for generative AI, do-not-train tags, data “poisoning,” and other new technical measures could offer another avenue for creators to protect their work against unlicensed use to train AI models. This panel will highlight the latest tools being developed, how they’re being implemented and who is adopting them.
Panelists: Wendell Adams, CEO, PrimeLab.io Bill Colitre, Vice President & General Counsel, Music Reports, Inc. Sneha Deo, Responsible AI Product Lead, Microsoft Joel T. Jordan, Founder & President, Synchtank
Moderator: Jake Beaumont-Nesbitt, Director, Innovation & Education, International Music Managers Forum
Wendell Adams CEO, PrimeLab.io
Bill Colitre Vice President & General Counsel, Music Reports, Inc.
Sneha Deo Responsible AI Product Lead, Microsoft
Joel T. Jordan Founder & President, Synchtank
Jake Beaumont-Nesbitt Director, Innovation & Education, International Music Managers Forum
An overview of the latest AI-related regulatory and legislative initiatives. Where things stand, from implanting the European Union’s AI Act, to copyright laws, to antitrust enforcement and creating a
federal publicity right.
Presenters: Nikki Bhargava, Partner, Reed Smith, LLP Sophie Goossens, Partner, Reed Smith, LLP Amy Isbell, Senior VP, Public Policy and Government Relations, Universal Music Group
Nikki Bhargava Partner, Reed Smith, LLP
Sophie Goossens Partner, Reed Smith, LLP
Amy Isbell Senior VP, Public Policy and Government Relations, Universal Music Group
From song catalogs, to film and television libraries, to literary estates, copyrights have been a hot asset
class. But has the market cooled? How has the rapid growth of generative AI affected valuations, and
what does the new macroeconomic environments portend for the future of rights investing?
Panelists: Peter Harvey, CEO, RoyFi Duff Berschback, EVP, Business & Legal Affairs, Publishing, Concord Music Publishing, LLC Neeta Ragoowansi, President, Music Managers Forum - US
Moderator: David Bloom, Senior Contributor, Forbes
Peter Harvey CEO, RoyFi
Duff Berschback EVP, Business & Legal Affairs, Publishing, Concord Music Publishing, LLC
Neeta Ragoowansi President, Music Managers Forum - US
In the most of the world, works created by artificial intelligence cannot be copyrighted. But works
containing AI elements alongside the work of human creators sometimes can be. But where is the line?
How much AI is too much? How can creators make sure their works containing AI elements can be
protected?
Identifying and detecting works produced by AI is essential for filtering AI content from streaming
royalty pools and preventing fraud. This panel will highlight the latest efforts to develop effective AI
detection and identification tools and their integration with real world services and applications.
Panelists: Virginie Berger, Chief Business Development & Rights Officer, Matchtune Amadea Choplin, Chief Operating Officer, Pex Will Kreth, CEO, HAND
Moderator: Beverly Macy, Lecturer, UCLA Anderson School of Management, Member, Executive Board Innovate, UCLA
Virginie Berger Chief Business Development & Rights Officer, Matchtune
Amadea Choplin Chief Operating Officer, Pex
Will Kreth CEO, HAND
Beverly Macy Lecturer, UCLA Anderson School of Management, Member, Executive Board Innovate, UCLA